Die Ölgemälde alles FOPPA, Vincenzo
Choice ID Image  Painting (From A to Z)       Details 
6688 Bottigella Altarpiece dh  Bottigella Altarpiece dh   1480-84 Wood panel Musei Civici, Pavia
6690 Madonna and Child dfg  Madonna and Child dfg   1476 Tempera on panel, 165 x 80 cm Pinacoteca di Brera, Milan
29795 Madonna and Child with an Angel  Madonna and Child with an Angel   mk67 Tempera on panel 16 1/8/x12 13/16in Uffizi,Gallery
6691 Madonna and Child with an Angel deu  Madonna and Child with an Angel deu   1479-80 Tempera on wood, 41 x 32,5 cm Galleria degli Uffizi, Florence
6689 Madonna and Child with St John the Baptist and St John the Evangelist dfhj  Madonna and Child with St John the Baptist and St John the Evangelist dfhj   1485 Fresco transferred to canvas, 170 x 190 cm Pinacoteca di Brera, Milan
6692 Madonna of the Book d  Madonna of the Book d   1460-68 Wood panel Castello Sforzesco, Milan
6693 Portrait of Francesco Brivio sdf  Portrait of Francesco Brivio sdf   Wood Museo Poldi Pezzoli, Milan
6694 St Augustine dsfg  St Augustine dsfg   1465-70 Wood panel Castello Sforzesco, Milan
6686 St Michael Archangel (detail) sdf  St Michael Archangel (detail) sdf   Tempera on wood, 89 x 34 cm (full panel) The Hermitage, St. Petersburg
6685 St Stephen the Martyr dfg  St Stephen the Martyr dfg   Tempera on wood, 89 x 34 cm The Hermitage, St. Petersburg
6687 The Adoration of the Kings dfg  The Adoration of the Kings dfg   1500-10 Panel, 239 x 200 cm National Gallery, London
63831 The Young Cicero Reading  The Young Cicero Reading   1464 Fresco, 101,6 x 143,7 cm Wallace Collection, London This is the only surviving fresco fragment from the Palazzo Mediceo, Milan. It was cut from the wall c. 1863.Artist:FOPPA, Vincenzo Title: The Young Cicero Reading Painted in 1451-1500 , Italian - - painting : historical
FOPPA, Vincenzo
Italian Early Renaissance Painter, ca.1430-1515 was a Northern-Italian Renaissance painter. He was an elderly contemporary of Leonardo da Vinci. Born at Bagnolo Mella, near Brescia in the Republic of Venice, he settled in Pavia around 1456, serving the dukes of Milan and emerging as one of the most prominent Lombard painters. Foppa returned to Brescia in 1489. His style shows affinities to Andrea del Castagno and Carlo Crivelli. Vasari claimed he had trained in Padua, where he may have been strongly influenced by Mantegna. During his lifetime, he was highly acclaimed, especially for his skill in perspective and foreshortening. His important works include a fresco in the Brera Gallery of Milan, the Martyrdom of St. Sebastian, and a Crucifixion (1435) in the Accademia Carrara of Bergamo. Many of his works have been lost. He was influential in the styles of Vincenzo Civerchio and Girolamo Romanino.



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